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Sounding Off: Online Music Daniel James Online music: are we missing an opportunity to make audio distribution a better deal for musicians?įile:///H|/SOS%2004-09/In%20This%20Issue.htm (1 of 4) 12:03:37 AM Leader Editor In Chief Paul White evaluates how best to define your music, and whether it is of commercial merit or not.

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Their powerful Core 4 machine offers support for three monitors, plus a huge 400GB RAID 0 hard drive array for audio data.

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great value for money and sleek good looks, but how good do they sound?Ĭarillon Core 4 Music PC Computer specifications have changed radically in the three years since Carillon launched their first music PCs, but the company's signature metal rackmount case and attention to detail still sets them apart. Mono Forever Behringer B2030A Truth Recent years have seen a revival in back-to-basics recording techniques, but few engineers or producers have taken things Active Monitors as far as Jim Sutherland did with Edinburgh folk-pop band The new baby in Behringer's Truth monitor range offers Aberfeldy. But why would you want such a Jim Sutherland: Producing Aberfeldy thing? Read on. The Synthesizer Performer As a member of the Mahavishnu Orchestra, a composer for Analogue Systems RS300 film and TV and a performer in his own right, Jan Hammer helped to define the role of the synthesizer player in rock and CV-to-MIDI Converter No, we haven't got that the wrong way around. The task of editing, mixing and archiving these recordings is being undertaken by his son Dweezil, with the help of some cutting-edge computing hardware.

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With version 4 offering a wealth of new features, including MIDI sequencing, could Live now replace traditional sequencers altogether?īusiness End Readers' Tracks evaluated Hear the tracks while you read constructive comments from MPG (Music Producers Guild) members who assess the latest batch of SOS readers' submitted recordings.Ĭrosstalk Readers Writes Replies to more of your emails, letters and faxes.ĭweezil Zappa: 64-bit Computing & The Frank Zappa Archive DAWs Of Future Past Frank Zappa produced a vast amount of recorded material during his career, often pushing both his musicians and the technology of the day to extremes. Second opinion by former Be Bop Deluxe guitarist Bill Nelson.Ībleton Live 4 Loop-based Sequencer (Mac/PC) As a creative, stable and above all fun way of combining audio loops in real time, Ableton's Live has proved an ideal counterpart to Rewire-compatible applications such as Cubase. It delivers more amp models than the original Vetta, offers more user control of the sounds, and it also features an optional digital interface for use with the Variax Digital Modelling Guitar. Each time before purchase I discussed it with the support team, who confirmed it could be done and have no objection to their samples being used in this way.September 2004 In This Issue Click article title to open ReviewsīONUS REVIEW: Line 6 Vetta II & Variax Electric 700 Modelling Guitar Amp & Guitar This is a BONUS online article not available in the printed magazine The Vetta II amp range embodies the most sophisticated implementation of Line 6's guitar amp modelling technology to date. I build my own instruments, and my purchase of these libraries has been contingent on this possibility. (Or maybe as EvilDragon says, there are different rules for non-Player libraries).

In the earlier versions you could even save the samples themselves separately as wav or whatever, though they have now clamped down on that.

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With the exception of those (legato) instruments which are locked to all editing, with full Kontakt there is no problem copying and pasting samplesets from these instruments into your own NKIs, and indeed I recommend you to do it. The instruments themselves are supremely inefficient, crossfading vast numbers of samples just to play one note. The samples are for the most part reliable and outstandingly good. I have several Spitfire libraries, some requiring full Kontakt, some just the Player.

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